Nov 17, 2020 musical emotions (for an extensive review, see Juslin &. Sloboda Juslin & Vastfjall's (J&V) work represents an important step. forward in our
Dr Patrik N. Juslin, Department of Psychology, Uppsala University. Access to the complete content on Oxford Handbooks Online requires a subscription or
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Emotional responses to music The need to consider underlying mechanisms. Behavioral and Brain Sciences, 31, 559-575. body temperature (Eerola & Vouskoski, 2011ab; Juslin et al., 2014; Juslin & Vastfjall, 2008; Zentner et al., 2008). For example, Lundqvist and colleagues (2009) reported emotion-consistent changes on a range of physiological measures of ERM, including changes in facial expression, heart rate, skin conductance and finger temperature. A key model that can explain the process of emotion induction is by referring to the BRECVEM framework by Juslin and Vastfjall.
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Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor
2021-01-15 Juslin Maunula. 325 likes.
We argue that the study of musical emotions has suffered from a …
Professor of Psychology, Uppsala University - Cited by 19,895 - Music Perception - Nonverbal Communication - Music and Emotions - Music Psychology - Music Performance
According to the super-expressive voice theory (e.g., Juslin Reference Juslin, Juslin and Sloboda 2001), what makes a particular performance of music on, say, the violin, so expressive is the fact that it sounds a lot like the human voice, whereas at the same time it goes far beyond what the human voice can do in terms of speed, intensity, and
Music may arouse intense emotions in listeners, but little is known about the circumstances that contribute to such reactions. Here we report a listening experiment that investigated the roles of s
Juslin, P.N. and Vastfjall, D. (2008) Emotional Responses to Music The Need to Consider Underlying Mechanisms. Behavioural and Brain Sciences, 31, 559-621. Juslin and Vastfjall (2008) explored the prevalence of underlying psychological mechanisms when music elicits an emotion in a listener. Nine mechanisms were gradually developed (Juslin, 2013; Juslin, Harmat, & Eerola, 2014; Juslin, Liljeström, Västfjäll, & Lars-Olov, 2010) as the BRECVEMA framework, specifically: 1. Indeed, emotional responses to music show many hallmarks of basic emotions including distinct subjective experience, emotional expression, action tendencies, changes in the autonomic nervous system activation (Juslin and Vastfjall 2008) and distinct effects of thought and judgment (Vuoskoski and Eerola 2012).
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Nine mechanisms were gradually developed (Juslin, 2013; Juslin, Harmat, & Eerola, 2014; Juslin, Liljeström, Västfjäll, & Lars-Olov, 2010) as the BRECVEMA framework, specifically: 1. March 15, 2021. Video conference trends for 2021; March 12, 2021.
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Juslin, P. N., Liljeström, S., Västfjäll, D., & Lundqvist, L.-O. (2010). How does music evoke emotions? Exploring the underlying mechanisms. In. Handbook of Music
Simon Liljeström, Patrik N. Juslin, Daniel Västfjäll, Experimental evidence of the roles of music choice, My main interest is in emotion and its effect on everyday behaviours.